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And ye, who have met with Adversity’s blast,
And been bow’d to the earth by its fury;
To whom the Twelve Months, that have recently pass’d
Were as harsh as a prejudiced jury –
Still, fill to the Future! and join in our chime,
The regrets of remembrance to cozen,
And having obtained a New Trial of Time,
Shout in hopes of a kindlier dozen.
~Thomas Hood

Although an arbitrary demarcation of something quantum physics says doesn’t exist, there’s no denying the impact of the turn of the year on the fragile psyche of frail humans … okay, on the fragile psyche of this frail human — new years freak me out!

New Year’s eve is like every other night; there is no pause in the march of the universe, no breathless moment of silence among created things that the passage of another twelve months may be noted; and yet no man has quite the same thoughts this evening that come with the coming of darkness on other nights. ~Hamilton Wright Mabie

There’s something more than unnerving in the idea that one year has just gone by in an eye-blink, that a whole bunch of stuff happened in those twelve months, much of which deserves rumination, and this morning I teeter on the cliff edge of yet another that will pass as fast and present as much … or more … I’ll have incorporated into my history this time next year.

Yikes!

I have great hopes for 2011, even some plans, and this morning a determination to make this one great year. Of course, those are precisely the thoughts I had on New Year’s Day 2010.

For the third year running, life is in tumult with so much out of my control that simply hanging on is about the best I can manage. Sure, I’ll plod along day-by-day doing the things that need doing, avoiding pitfalls I can see or sense and spend no little energy visualizing the desired path, but after the last couple of years know only too well that at any moment I could hear that brief scream that signals incoming.

I’d like to think I’ve learned enough to trust only the trustworthy, love only those who deserve my love, chose only the best options available … as Tennyson said:

Ring out the old, ring in the new,
Ring, happy bells, across the snow:
The year is going, let him go;
Ring out the false, ring in the true.

Amen, Alfred. And I’ll be greeting true with open arms if I recognize the fucking thing.

If all goes well, 2011 should be a year of change … big, positive change seeing me having wrestled back some control, moved house, simplified things considerably and set up comfortable circumstances for me and the kids that will provide enough security to allow stepping back from the dance on the rim of the precipice and a chance to gather strength rather than squander it in anxiety and the depleting efforts of fighting for every fucking step.

Of course, the reality is that we only have so many of these new beginnings, and there’s always the chance the last one was the last one. That would be quite disappointing. I very much hope there’s time to reap rewards for hard work, that my last love was not my LAST love, that seeds sown come to fruition. Conversely, however, another year like the last few … well … I’m not so hot on that.

Today, there’s no way to know if it’s “a kindlier dozen” ahead, more of the same or something even more diabolical. Experience tells me thoughts of “it can’t get any worse” are utter nonsense and there is no guaranteed swing of the pendulum shifting from crap to contentment, but there is hope.

For last year’s words belong to last year’s language
And next year’s words await another voice.
And to make an end is to make a beginning.
~T.S. Eliot

So, the old year is over, the new has begun … it will bring what it brings and be dealt with as it unfolds. I will do what I always do — plod and write — and January will turn to February and Cj will be six in April and Sam will be nine in November and another year will be added to the outbox. I will seek out joy, love my kids, treasure my friends, embrace adventures and hope and hope and hope.

We will open the book. Its pages are blank. We are going to put words on them ourselves. The book is called Opportunity and its first chapter is New Year’s Day. ~Edith Lovejoy Pierce

My sincere wish to all that 2011 fills your book with joy, love, kindness and peace …

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Yeah, yeah … Christmas blahs and blah, blah, blah, but the fact of the matter is holidays like this are really nothing more than a bit of a spike on the blah chart and I have to admit I’m simply not the jolly type. Never have been. Never will be.

Sure, I have moments of great joy, and how I relish those, commit them to memory, drag them out, dust them off and roll around in them when I can … meaning when doing that doesn’t just make me sad.

But it’s not the Blue Christmas thing that prompts a post today, and I’m actually doing pretty well in putting on the happy face around the house; the tree goes up today and the kids and I will be rockin’ around it as we do the festooning.

No. Today I’m dwelling in the House of Blues for a short time this morning because a young writer friend is breaking out in spontaneous mental and emotional bruises and wondering if he should worry.

Well … yes. And no.

The connection between writers and depression is well documented … any quick Google of the topic gives more than six million links … as the condition has been well studied, as this from the NY Times illustrates:

Kay Jamison, a professor of psychiatry at Johns Hopkins University and the author of “Touched With Fire: Manic-Depressive Illness and the Artistic Temperament,” said writers were 10 to 20 times as likely as other people to suffer manic-depressive or depressive illnesses, which lead to suicide more often than any other mental disorders do.

It is not surprising that these mood disorders seem most at home in the artistic mind. “The cognitive style of manic-depression overlaps with the creative temperament,” Ms. Jamison said. Researchers have found that in a mildly manic state, subjects think more quickly, fluidly and originally. In a depressed state, subjects are self-critical and obsessive, an ideal frame of mind for revision and editing.

This is not to say all writers face such issues. Writing news copy or discourses on quilting or self-agrandizingly embellished journals or anything meant simply to describe, boost ego or sell stuff can amount to skin scrapings, a slight grating of a surface that leaves a residue others can observe. I’m not suggesting journalists don’t often gouge deeply enough to draw blood or some aren’t passionate enough about handicrafts to work up a sweat.

Neither do I make allegations that writing about the mundane is in any way ‘less than’. In the same way that mechanical drawing isn’t fine art, mechanical writing may require no more connection than fingertips-to-keyboard, the results of which can be interesting, instructional, even entertaining.

It’s not only a difference between writing nonfiction and creating an entirely new world. There is such a thing as the formulaic masterpiece, bestsellers and box office blockbusters, all the outcome of dedicated linking of one word to the next to the next. In other words, writing.

It takes neither depth nor depression to write, as can be seen by the vast amount of shallow prose and numbers of jolly writers, and there is value in the light read, the contrived tale with the satisfying resolution, the amusing amble down familiar paths.

There is also, however, a shit-load of evidence that writing from the gut takes a toll … or is it the other way around? William Styron’s chronicling of his battle with depression, Darkness Visible, is a fascinating read for anyone, but for writers struggling through the paradox of “Do I write because I’m depressed, or am I depressed because I write?” … or any angle, actually … it resonates.

Perhaps because I deal with this shit, too, the man makes sense to me …

“The good writing of any age has always been the product of someone’s neurosis, and we’d have a mighty dull literature if all the writers that came along were a bunch of happy chuckleheads.” ~ William Styron

Happy chuckleheads. Yeah … well …

As Aldous Huxley put it well:

“There is something curiously boring about somebody else’s happiness.”

And perhaps it’s this attitude that keeps most writers from describing their profession as fun.

At the same time writing helps me process life, it also isolates me, a fact that makes processing a lonely endeavor that has me making it up as I go along. Stories and characters form and a need builds to put them to use, to flesh them out, to see where they’re going. This, of course, means I live in my head a lot, and since my head rather defines solitary space, even when it gets a bit crowded, it’s alone I face not only my own life, but the lives of all those stewing in my creative juices.

Even my thoughts need form, and since I’m a writer, not a painter or a musician, they take shape in words and words must be read, internalized, not simply reacted to. Sure, a bit of short verse can prompt a quick impression … a ‘that’s pretty’ or some toe-tapping … but anything longer requires some commitment from the audience, an arrogant demand on every level.

When I write for pay, I write for the person paying me. When I write for myself I may have hope others will take something from what I’ve written … a piece of me … but that’s not why I work toward the end. It ends when it’s done, when there’s no more to say than “The End”.

Like preparation for a great meal, much time is put into the effort and the consuming happens quickly, but it’s days or weeks or months of prep and what’s served up is more of a child I’ve gestated than a roast. Is there any wonder there’s stress in the process and hopes that what’s offered is appreciated?

Funny thing, but what began this morning as a brief look at writing has taken all day. Life and Christmas tree got in the way, but also the realization that this topic is a thorny slide down the brain stem, and that surprises me. The more I think about writing the less I like what I do, yet the more I feel I must do it.

The tree is now up and the kids want to get to the beach. Sounds good to me. Tomorrow, I’ll pick an easier blog topic for kick-starting the brain and fingers and get some work done, giving nary a thought to anything electro-chemical happening between my ears.

And that, peeps, is how I manage to get through a day and write.

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Wrapping my head around the holidays … looking happy about it … dwelling is not an option … cleaning out corners is …

My dog and stuff

My dog is called Mitzy
she’s ditzy
My cat is Diego,
hasta luego
The tortoise is Helmut
… the shell, mate …
I do with my critters,
their litter,
and fritter
away many minutes
with little else in it
My kids
are Sam, Cj and Jenn
and Jaren, of course,
although he’s now a “been”
I’ve a mother,
three brothers,
Larry, Tom and …
oh … Jim …
and, very thankfully,
a whole raft of friends.
There’s Andy and Gay
who both make every day
a tolerable passing of
whatever may
come hell or high water
show up when my daughter
the grown one (I miss her)
is beyond where I aughter
while I’m with her sister.
It’s life on this rock
that keeps me in hock
always missing someone
even as I keep stock
of those coming and going
I love them all, knowing
time passes so fast
What’s it mean? I could ask
my dog who’s called Mitzy

Cambodia in Seventeen Syllables
Always conflicted,
smiling through horror
Poison on the top shelf waits

X-mas

It’s ghosts I hang
on the Christmas tree
shades of all that
couldn’t be
Another year has
come and gone,
another season
thrust upon
all tinsel, balls and
shiny fluff
and meant to be
diverting stuff
but serving only to remind
of all that has been left behind

Leftovers

How does one finish with
stuff that’s not done
like a bird in the oven
still bleeding?

Can’t very well eat things
still moving now
can we? Not while it still keeps
its beating

It has stewed, it has baked
but no matter,
stlll kicking this thing’s not
completing

the process of dying
takes time and may
nevertheless bear
repeating

Hunger can’t rush it,
wishing won’t work,
but no worries.
We’re feeding

on scraps of leftovers
savouring each
it seems we are
still needing.

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Yesterday I wrote about infamous dates, an appropriate topic on Pearl Harbor Day.

Today is another one of those. Although not on the same scale of lives lost or immediate consequence, December 8, 1980 saw a moment that defines a generation, and world, thirty years after the fact of an act of murder.

The death of John Lennon put paid to an era born in the sixties and dying with John.

It could be the timing was coincidental … another decade had closed and the 80’s loomed large and voracious. Flower-power was giving way to the darker, disenchanted tones of Goth, Ronald Reagan was White House-bound and the 80s stretched before us like a ladder to be climbed one pricey rung after the other.

Could it be, however, it was the event that instigated at least some of the changes?

The violent death of a gentle musician and poet at the hand of a publicity-seeking nutjob seems a demarcation point.

Perhaps my rearview mirror has fogged over the past 30 years, but I recall the decades before Dec. 8, 1980 as hopeful … angst-ridden, yes, but that angst flowed from frustration that the world wasn’t moving quite quickly enough toward the peaceful garden we could still imagine at the time.

We’d seen our share of horrors, but felt we’d learned stuff … important stuff that could and would matter. We felt it was possible to actually give peace a chance.

Greed started driving the bus in the 80s and angst turned to the stone of cynicism. As communism fell by the wayside, that perceived specter morphed into the solid form of expanding markets, multiple debt crises, famine and a whole bunch of wars.

Hippies turned into Yuppies, Porsche became the new VW van and conspicuous consumption took over where conscientious objection left off.

Even the drugs got meaner as coke and crack took the place of acid and weed and ad copy became a viable outlet for poets since the pay was so much better.

I’m guessing those who missed the world John Lennon lived and influenced will consider this a geezer ramble … revisionist history not appreciative of the wonders of the past three decades, or not appreciative enough.

Could be. Could be.

But I can’t help but wonder how different the last thirty years might have been if that fuckwad Mark Chapman had not decided to stake his claim to fame by blowing holes through one of the world’s most important proponents of thoughtful consideration and hope.

The music, alone, we’ve been robbed of has left us poorer.

So … on this day, as every 8th of December, I celebrate the life and rue the death of John Lennon, wonder and imagine …

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Sounds almost pleasant, doesn’t it? It’s not. Oxymoronic in its essence, free-floating anxiety sees the anxious bit hijacking anything that might be considered free and the sucker floats like a anvil.

Anxiety that lacks a definite focus or content.

And that, folks, comes before the first cup of tea.

I have always lived with demons … depression being the biggest bugger with the fiercest bite … but anxiety is rather new to me. Sure, I’m a worrier. What woman isn’t, especially living alone and having kids to raise? But it’s not often my worries cause me to lose sleep.

In fact, I usually sleep fairly well; I drop off without effort, and if disturbed have little to no trouble drifting back into slumber. Yes, my sleep is dream-plagued/blessed and often not as restful as I’d like, but I do sleep and for the allotted hours.

No, it’s not the sleeping that’s my issue, my demon … whatever … but the waking.

Before my eyes open I now realize I’ve shifted from sleep to awake by the sudden onset of that free-floating anxiety thing. It takes a bit of time to recognize and even more to run it through the filters: I’m late; I’m early; I’m breathing; kids are okay; nothing horrible happened in the night; scan the list of what’s on for the day; yes, I’m here alone. Check. Check. Check.

So, why am I shaking and where is this panic over a new day coming from? Am I sixth-sensing portents of doom? Has a shit asteroid been plummeting toward me in the night? Why is every drop of sadness in my body rushing in to welcome another twenty-four hours of the same old crap? Is the day now tainted? Have I contaminated the glass of opportunity by dropping in a dollop of shite with my quaking hands? Will these backed-up tears cloud my vision? Or drown me?

Tea. I need tea.

And thus begins my day.

It’s not every day that starts this way. Thankfully, I do go through periods where I wake up like a normal person, slowy and with a lovely touch of fog misting my corners. On those mornings my eyes open, the view presents itself in all its glory and potential rolls out in front of me. Those occasions take a second cup of tea to bring recognition of and appreciation for the ease of sliding into what had been tomorrow.

More often than not, however, it’s choking sad and shaking panic that form my salute to the sun.

I can trace the roots of this relatively new … what? … affliction? … waking nightmare? … free-floating anxiety … yeah, that’s it.

Close to eighteen months ago my waking moments changed drastically with the 6-am-ish phone call that told me my son was dead. And although this will not only sound trite, but obvious, I’ve not been the same since.

It’s a fact of life that the older we get, the longer our loss list grows. Over the past few years I’ve lost a lot … a son, a husband, a great love, all semblance of security, the last vestiges of youth, a load of nerve, hopes, dreams, wishes … even, from time to time, the will to live. (Yes, I have a list of gains, too, but I’ve just passed a week being thankful and that’s not what this is about this morning.)

I can deal with each and every loss … one-by-one, please … but first thing in the morning and before I’m fully awake? Not so well. Not at all, actually, since dealing isn’t what happens when I’m trembling and feeling the sting of tears before my eyes even open.

The result, of course, of this free-floating shit is an effort to flail a lasso about and pull it close enough to examine just what the fuck it might be. That sure pulls out the list, and as my mind leaps like a frog across sinking lily pads I am forced to recollect most every crappy thing that has happened, may happen or will happen. And I haven’t even peed yet …

At least I get words out of it, heh? Here are a few from this morning:

Good Morning, Sword

Within my realm I awaken each day
to a view of the sea and bird song
It is in my power to make what I may
But the first works I utter are:
What’s wrong?

I don’t see the sword hanging over my head
but I know that it’s there and suspended
by something no stronger than one single hair
if should break means the world is
upended …

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Perched on an emotional ledge as I have been for the past while, I find myself using my fingers to hang on to the cliff face with the hope the persistent ache resulting reminds me to keep the grip and not slide … plummet? … leap? … cavort? … into the abyss, or whateverthefuck it is, below.

The crag I cling to is QWERTY-shaped, and like velcro needs multiple connections doing a little dance to keep the stickiness happening.

Some shards pulled away by the friction between the rock and the hard place the other day got a comment that’s kept me busy lately while I hang around:

Have you ever considered writing poetry about anger? I read these yesterday, couldn’t sleep last night, don’t know why poetry about anger kept swirling around my thoughts.

So, thanks to Amy, it’s anger raising its fiery, swollen head and keeping me clenching …

Pissed off. What’s a Girl to Do?

To spew my anger ‘cross a page
would mean acknowledging my rage
It seems I was raised way too girly-ous
to allow such blatant show of furious

An emphasis on contemplation …
consider each and every view …
and be no reason for vexation:
The mandate for a girl’s milieu

Not that some don’t infuriate
when what they should do is placate,
but I have faced consequences dire
when releasing my indignant ire

It’s not that I don’t have a temper
I do, but somethings can be learned:
There’s no need to just sit and whimper’
but formulate through each slow burn …

It’s helpful oft’ times to rattle a cage
and channel off more than a bit of outrage
through get-backs oh-so-very terse
in fits of pique disguised as verse.

Unfortunately, the season doesn’t help much …

The First Noel

The first Noel I hear
as we come toward the end of the year
will convey no festive tingling
but could earn a testes jingling
and a very hearty round of “Fuck you, Dear”.

And … of course, the usual angst that confounds and confuses …

Man: Optional?

I’m perpetually disappointed by
the sex that feels anointed by
the fact they sport a penis,
or it they

Although seemingly unfettered
and somehow strangely flattered
by a mass secreting phlegm
along the way,

they find their bits impressive
even when the thing is restive
and can’t ever keep their hands
too far away

There’s no doubt that cock’s amusing
and I’m very fond of using
the appendage on ’bout any
given day,

but if suddenly to find it
hanging ’round there, I would bind it,
not assuming special powers
in its sway

Since I wasn’t born with boy bling,
that male Lincoln Log-like toy thing,
it’s not possible to ‘get’ that
need to play

with it inside things or outdoors,
(little pickiness between whores)
just ’bout any hole will do it
So they pray:

Fall down to your knees in full praise …
or upon your back with legs raised …
just give some place for to aim and
shout “Hooray”

for the penis now he rises …
no, no need to think in sizes …
just appreciate the sight of
that beauTAY!

If the thing could only speak it
would hardly need the geek it
uses to transport it ’round
each day

Truly, women are from Venus
and we’ll never have a penis
other than the ones we borrow.
That’s okay

There’re no shortages of offers
from those pleased to fill our coffers
and occasionally the man attached
will stay

round long enough to carry
a few burdens, even marry,
giving more than just their penis
and a lay

But …

I’m perpetually disappointed by
the sex that feels anointed by
the fact they sport a penis …
or it they

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Today’s post is an exercise prompted by this article by “performance improvement consultant” Russell Bishop, and no doubt tied into the febrile state I’ve been experiencing for the last few days, the goal being to examine my list of want as this year rounds out and another approaches.

As 2010 comes to a close and we move through the holidays on our way to a new year with new resolutions and new goals, it occurs to me that we might all benefit from taking some time now to take stock of what we truly want out of life as opposed to what we seem to be settling for.

Want. Instead of ‘settle for’. Hm.

I clearly recall this time last year when top of my Want Parade was to have 2010 be a better year than was 2009; not too tough an agenda as long as no child of mine dies in that twelve-month span. (So far, so great!)

Of course, that wasn’t the only parameter I set for gauging “better”, just the most vital. I also wanted happiness, security, a bit of fun, some interesting work, few conflicts, a dearth of of incoming shit … stuff like that … most of which had a specific focus at the time.

Well … the year is about over now, so how did I do?

I had some happiness, occasionally felt secure, laughed a lot, worked a lot, had a few conflicts and some incoming shit, but nothing I needed to build a monument out of. Comme ci, comme ça, heh?

It occurs to me this morning that one want for the day is for Cj to get over her fever and for mine to abate, as well. If either or both of those things happen, I get what I want. Cool.

And isn’t that how want happens? It is in my world, since long-range wantings are too often smacked out of the reality ballpark by batters I can’t see swinging, so what’s the point of keeping my eye on those balls?

When I was seven I wanted two things more than anything I’d wanted before: a bike and a horse. I wanted a horse so badly that my Catholic-trained mind did hefty bargaining over it and left me questioning the whole point of prayer, but the bike was waiting under the Christmas tree.

I loved that bike right up to the point months later it proved the cause for a leg-mangling I bear the scars from to this day, but the joy of that Christmas morning scores high on my memory chart.

The point of the article, however, is ‘life goals’, which should ride a different scale than childhood lustings after toys, right?

In the course of my life’s work, I have asked literally thousands of people some version of the what-do-you-want question. For the most part, people tend to list all kinds of things they want. Cars, houses, money, and toys of all sorts frequently come to mind for most individuals. All pretty understandable, really.

Really.

Although my list has included a car that runs, and selling my house will be great when it happens … a holiday would be nice, too … I don’t consider these ‘life goals’. Next Year goals, sure, but like the bike, once gained, Want done.

Okay, this guy apparently makes his living helping people move up executive ladders where a car is a rung, a house is a rung, a holiday is a rung, and he does make that point:

If your focus on what you want is more on physical possessions, then at least you have some guidance about how to choose: which fork is more likely to lead to the job, house, car, or money? However, if what you truly want is found more in the quality of experience than the quantity of possessions, then you need to make certain that you are thinking about the experiences you seek and not just the possessions you could accumulate.

There is little doubt that the ‘quality of experience’ can be made much more attainable with a roof over the head, a car that starts when it’s supposed to, food enough, and all of what some of us are lucky enough to consider basics.

In the grand scheme I want: world peace; an end to hunger; corruption, stupidity and greed to fall by some wayside and rot; that beamy-uppy thing from Star Trek; non-fat sugarless Butter Pecan ice cream; and for me and those I love, happily ever after.

In the less-grand scheme, I want to finish the book I’m working on, my land to sell so I can live closer to town and a date for New Years Eve.

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You know how it is …

Some people see life as a roller coaster; they thrill with anticipation on the way up, love the gut-lurch at the top, then piss themselves out of fear on the way down and spend the rest of the time embarrassed about the wet mark.

Some see life as a banquet; gorging themselves on the richness of the spread, they pass on nothing tasty, but often end up vomiting all as a consequence of their indulgence.

I see life as a convoluted tale … or tail, perhaps, as if it’s the ass-end appendage of a lumbering beast, which is a good explanation for why shit happens … so I don’t wet myself or puke, but follow and pay attention, and what erupts or leaks or spews from me as a result is verse.

Unlike the professional work I am paid to produce … unless for a very good cause or a lover who gives me a good deal in trade … poems aren’t written for anyone, not even me. They are just written, as a convoluted tale must be. If any sense can be made of twists and turns and whorls, crafting them into letters/words/phrases is the way I deal with confusing complexities.

Although it often seems poems pop out of me, the actual process is more like a slow ooze. Yes, a first line or a phrase can surprise me, but a suppuration process must happen before any actual popping happens.

I never know where I’ll end up when starting on a verse-strewn path and don’t set out with any destination in mind, but as a metaphor for life it simply follows the convolutions and ends where it ends.

In answer to some who’ve asked, I usually work a poem for quite a while, tweaking and fiddling until the wrong words are gone and the right words are where they belong. I have no way of explaining the process. Yes, studying the intricacies of meter, rhyme and stanzaic structure is as important a foundation as learning correct punctuation is to writing in general, and any cavalier rejection of the need for rules results in way too much crap writing in the world. But composing anything must be more about what happens in the soul than what can be taught if it’s to reflect more than someone else’s idea of correct.

Because the tail I ride has been whipping around way too much lately, I’ve been splattered with shit that’s prompted efforts to transform random excrement into something a bit less messy. What follows are a few of the sculptures I have managed to fashion as armour …

Mr. Moon

The full face of the moon
looks upon me tonight
and I can’t hide away from his gaze
He says: ’twill be soon
you will turn off the light
but you’ll never escape from the maze
you have woven so tightly
you must face it nightly
whether I’m dark or I’m bright
In fear or so hopeful
with a love or alone, full
my presence can make it all right.
Goodnight …

Input Reaction

I need to stop reading the news
and not just cuz it gives me the blues
So much is just stumpin’
it sets my head thumpin’
I should just settle down for a snooze …
or some booze …

I’m wondering what I’ve got to lose
if I really gave up on the news
I’d for sure miss the fodder
but in some ways I’d oughter
be grateful to say, ‘please excuse’ …
pass the booze …

Say What?

What? Now?
They’re sneaking up again
those damned emotions
make me spin
Oft times I think I’m doing fine
then … BAM! … it all goes
outta line.
Through each and every thin
and thickness
I find myself the only witness
A mess it is this puddling
and bloody fucking muddling
Tis simpler to see things done
And, sure as shit,
this isn’t fun
They come with every chat on Skype
a plea for words,
a bit more hype,
late night IMs into my phone.
No wonder I am still alone.
Oh, yes
they’re sneaking up again
those damned emotions
make me spin
What now?

Cheep Bitch

I feel a finger on my switch
but, dammit all
ain’t life a bitch
It’s not the button
makes me cheep
but just the one
puts me to sleep …

Never Quite Done

I can’t turn love on and love off like a tap
In my world, it just doesn’t happen like that
It may come on quickly
but no matter how sickly
it ends up
I’m stuck with the sap

The depths of my heart are at least what’s at stake
when I stand on that cliff deciding to take
that leap into faithful
no matter the fate, full
of glass shards
I’m left with the break

I’m never quite done with a love I have known
and through all the pain I’m aware that I’ve grown
accustomed to heartache
but, though it’s an art, take
the bit that I own.

I treasure the leavings of love that is past
all some of my future that’s coming too fast
there’s tenderness in it
I hope I can spin it
to something that lasts.

Ack! x 2 = WTF?

There’s nothing quite so maudlin
as a man who do come daudlin
with his ego on a string around his neck.
A sack of “I am great, me”
and a plaque that reads “Come mate me”
is nothing but a warning, read:
Train wreck.

****

That light of the end of the tunnel is not
the end of an era, some happiness bought.
A new narcissist git
with a slim chance to hit
on a woman too heavily fraught.

Moon Shine Supine

Moonbathing
supine on the Equator
Midnight
Cool argent light
dims the Leonids
Silver breath whispers
my skin deciphers:
You are one with all,
luminous

Moonburnt
supine on the Equator
Midnight
No shadow falls between
cool argent light
nor interrupts silver whispers
my heart deciphers:
You are one,
solus

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I very much doubt that, back in 1956, anyone congratulating Herbert Kubly — journalist-turned-university professor — on winning that year’s National Book Award could have imagined the life that would play out for a girl of ten at the time. If somehow a mid-1950s mind was able to wrap around what was later known as Punk, the idea of the woman eventually dubbed “Godmother of Punk” winning a National Book Award of her own might have brought on apoplexy.

It has happend. Yes, Patti Smith IS this year’s non-fiction winner for her book Just Kids.

It was the summer Coltrane died, the summer of love and riots, and the summer when a chance encounter in Brooklyn led two young people on a path of art, devotion, and initiation.

Patti Smith would evolve as a poet and performer, and Robert Mapplethorpe would direct his highly provocative style toward photography. Bound in innocence and enthusiasm, they traversed the city from Coney Island to Forty-second Street, and eventually to the celebrated round table of Max’s Kansas City, where the Andy Warhol contingent held court. In 1969, the pair set up camp at the Hotel Chelsea and soon entered a community of the famous and infamous—the influential artists of the day and the colorful fringe. It was a time of heightened awareness, when the worlds of poetry, rock and roll, art, and sexual politics were colliding and exploding. In this milieu, two kids made a pact to take care of each other. Scrappy, romantic, committed to create, and fueled by their mutual dreams and drives, they would prod and provide for one another during the hungry years.

Just Kids begins as a love story and ends as an elegy. It serves as a salute to New York City during the late sixties and seventies and to its rich and poor, its hustlers and hellions. A true fable, it is a portrait of two young artists’ ascent, a prelude to fame.

Patti came to music through poetry, a logical step that resonates on just about every level I have and made me a fan many years ago. Her lyrics have spoken , and with a generation I listened, absorbed and was absolved.

Her verse and voice still inspire:

Dancing Barefoot

she is benediction
she is addicted to thee
she is the root connection
she is connecting with he

here I go and I don’t know why
I spin so ceaselessly
could it be he’s taking over me…

I’m dancing barefoot
heading for a spin
some strange music draws me in
makes me come on like some heroin/e

she is sublimation
she is the essence of thee
she is concentrating on
he, who is chosen by she

here I go and I don’t know why
I spin so ceaselessly,
could it be he’s taking over me…

she is re-creation
she, intoxicated by thee
she has the slow sensation that
he is levitating with she …

here I go and I don’t know why,
I spin so ceaselessly,
’til I lose my sense of gravity…

And now, what has been called a “beautifully crafted love letter to Robert Mapplethorpe” has been oh-so-appropriately honored.

My congratulations and gratitude to the National Book Foundation for their supreme good sense.

You can read an excerpt from the book here, but here’s a bit from that:

We used to laugh at our small selves, saying that I was a bad girl trying to be good and that he was a good boy trying to be bad. Through the years these roles would reverse, then reverse again, until we came to accept our dual natures. We contained opposing principles, light and dark.

I was a dreamy somnambulant child. I vexed my teachers with my precocious reading ability paired with an inability to apply it to anything they deemed practical. One by one they noted in my reports that I daydreamed far too much, was always somewhere else. Where that somewhere was I cannot say, but it often landed me in the corner sitting on a high stool in full view of all in a conical paper hat.

I would later make large detailed drawings of these humorously humiliating moments for Robert. He delighted in them, seeming to appreciate all the qualities that repelled or alienated me from others. Through this visual dialogue my youthful memories became his.

Although it was far from fairy tale fodder and did not end up in happily-ever-after, the Smith/Mapplethorpe relationship … two dedicated artists sharing the path … stirs in my heart and mixes the sediment lodged there into the fluid of what it takes to create.

Ladies and gentlemen, Patti Smith … Dancing Barefoot …

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Dust Bunnies

No time today for working myself into a lather. Nope. This morning I’m cleaning out corners and posting bust bunnies. I collect them, you see …

Although the following almost reads like verse, it’s actually the search engine parameters that led people to this blog over the last two days … see graphic for proof of just how weird some folks are:

Search

baby octopus
girl panties
sex girl panties boxers
“sam parnia”
sandra hanks
anne dickinson wine
tearsscraps for mans
expat seychelles
i am not trying to resuscitate my youth i just happen to be crazy about big tits
opinions against adoption
poems about ejaculation
tiny girl panties
paradisepreoccupied
crying is ok for men poems
sam parnia aware results
nomad
plastic bbobs
johnny g spinning vocabulary
large schlong
a man is good in ruins
a man is a god in ruins
putting on my big girl panties
tits pointing up
meaning of scrabbel
teenage pedofiles

And now for some of my words by the meter ….

This one just popped out this morning … thanks to Robbie …

The Sacraments

Water drip
Salt to lip
Hand that baby over

Tiny room
doom and gloom
all that’s just to cover

tongue to host
holy ghost
Quite the cool maneuver

Pick a name
now you’re tame
Don’t contain your fervor

Troth to plight
wedding night
doesn’t bind a lover

Finished toil
unction oil
No, you won’t recover

In a grave
no one saved
Now, finally, it’s over

Here’s something that’s been hanging around for quite a while:

Cleo, Queen of Denial

It’s dark, they say
but, no,
it’s light
that’s how before me sits the sight
of gems and riches passed compare
and look!
that wall has seen repair

he’s false, they say
but, no,
he’s true
that’s how before me grand he grew
solid, strong and faithful through
and see!
his life begins anew

he’s drunk, they say
but, no
he’s sleeping
that’s how I sit here without weeping
works so hard, he needs his rest
and so
it looks I pass the test

And, just for fun …

Legends in Their Own Mind

There’s no such thing as a man who fishes
insisting I eat filling dishes

There’s no such thing as a flapping git
freaking out ’bout getting bit

There’s no such thing as a guitar man
any star living so far, and

there’s no such thing as someone’s lover
who hopes I never blow his cover

There’s no such thing as an Italian
who thinks he could be called “The Stallion”

There’s no such thing as an army man
whose life lay in another land

There’s no such thing as a drummer boy
who finds in Jesus all his joy

There was the one who took my breath
but, fuck, he ended up with Death

No … all were no more than a dream
that in my waking moments scream
“Please keep it all a mystery!”
No problem, Loves,
you’re history.

Desk now tidy. Time to get some work done …

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